Best Travel Cameras of 2025

Whether you're wandering the alleyways of Barcelona, trekking through the Dolomites, or simply capturing sunsets from your hostel balcony, a dedicated travel camera can take your trip memories to the next level. Today’s models are lighter, more compact, and more powerful than ever, offering pro-level photo and video capabilities in designs that easily fit in a tote or travel daypack. While smartphones continue to improve, they still can’t compete with the creative control, lens versatility, and image quality of a standalone camera. Below, we break down our picks for the best travel cameras of 2025, covering different categories including point-and-shoots, mirrorless cameras, and digital SLRs. For more information, see our travel camera comparison table and buying advice after the picks.

Editor's note: We heavily updated this guide on September 11, 2025, adding a new lineup of up-to-date cameras with photos from testing trips. We also rewrote our buying advice section to be more helpful and added information about our testing process. Keep in mind that the stated weights of interchangeable lens cameras below will increase (along with the overall price) based on the lens you select.
 

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Our Team's Top Travel Camera Picks

• Best Overall Travel Camera: Sony a7CR 
• Best Budget Travel Camera: Canon EOS R50 V
• Best Point-and-Shoot Travel Camera: Sony RX100 VII
• Most Stylish Travel Camera: Nikon Zfc
• Best Travel Camera for Street Photography: Fujifilm X100VI
• Best Action Travel Camera: DJI Osmo Action 4
• Best Compact Camera for Backpacking: Sony a6700  

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Best Overall Travel Camera

1. Sony a7CR ($3,200)

Weight: 1 lb. 2.2 oz. (base with battery and memory card)
Megapixels: 61
Sensor: Full-Frame Exmor R BSI
What we like: Full-frame function in a lightweight, compact package; durable magnesium build with dust and splash protection.
What we don't: Expensive for beginners; frustrating menu layout; small, low res viewfinder.

For globetrotters seeking top-tier image quality in a compact, lightweight, and packable setup, the Sony a7CR is our favorite all-around camera this year. It squeezes Sony’s flagship (incredibly impressive) 61MP full-frame sensor, with a BIONZ XR processor, into a slimmed-down body that’s barely over a pound, offering near-identical photo and video performance to the larger (and pricier) a7R V. The 7 stops of in-body image stabilization and premium sensor translate to remarkably crisp images, stable video footage, and an overall refined feel to any content shot with it. Add to that class-leading autofocus powered by AI-trained subject tracking, oversampled 4K 60p (fps) video, and a solid suite of creative tools like Auto Framing, S-Cinetone, and S-Log3, and you’ve got a do-it-all travel companion that performs well just about anywhere—from the cobbled alleys of Lisbon to alpine sunrises in the Dolomites.

To keep the body compact, the a7CR does make a few concessions. Most notably, it lacks an AF joystick and features a relatively basic electronic viewfinder that may disappoint pros used to larger bodies. The viewfinder is also small and low-res. And as with any full-frame setup, lens choice matters—large glass can quickly eat away at the portability advantage. The price tag may also be a turnoff for some travelers who don't need the crème de la crème of travel cameras (or a whoppin' 61MP). Sony also offers their similar, mid-range Sony a7C II at a much lower price, with some concessions to quality and function. All told, the a7CR’s improved ergonomics, addition of a front control dial, and reliable in-body image stabilization help it punch well above its weight, packing uncompromising resolution and cutting-edge performance into a ridiculously compact, lightweight design.
See the Sony a7CR

 

Best Budget Travel Camera

2. Canon EOS R50 V ($699)

Weight: 11.4 oz.
Megapixels: 24.2
Sensor: APS-C CMOS
What we like: Great video chops; light and compact; great autofocus and subject tracking; smooth ergonomics; vertical orientation mounting point; affordable. 
What we don't: 4K 60 video crops in significantly; not the best digital stabilization; not the best rolling shutter performance; not our favorite button layout, no EVF.

The Canon EOS R50 V is a feature-packed mirrorless camera that manages to keep size, weight, and cost to a minimum—three major perks for travelers on the move. While not the cheapest camera on this list, we feel like it strikes the best balance between price and performance of just about any camera we've toted along on our wanderings. At just 11.4 ounces for the body, it’s lighter than most water bottles and easy to stash in a sling or daypack. You get a sharp 24.2MP APS-C sensor, Canon’s speedy Dual Pixel autofocus with reliable subject tracking, and a solid suite of video specs, including 4K/30p from the full sensor and 4K/60p with a crop. We’ve found it especially appealing for vloggers and content creators thanks to its creator-friendly layout, front-facing record button, and vertical video mounting point, and the ergonomics are surprisingly good for such a compact design. While it’s not the most premium build out there, the R50 V offers a ton of functionality for the price, making it a standout budget travel option for casual shooters, influencers, and digital nomads alike. We most recently trotted around Switzerland with this camera and it served us well for capturing both chill evening strolls around town and ultralight backpacking missions in the Alps.

That said, the pared-down design does come with a few trade-offs. There’s no built-in electronic viewfinder (EVF), which can be a challenge when shooting in bright light, and the single control dial can feel limiting when adjusting exposure settings on the fly. We also noticed some rolling shutter when panning quickly and found the digital image stabilization a bit underwhelming compared to pricier models (especially in 4K 24p or 30p). Ergonomically, we love how the camera fits in our hands, but the button layout just isn’t our top choice. However, for travelers who prioritize portability and ease of use over high-end pro features—and especially those who lean more toward video than stills—the Canon EOS R50 V is a smart, well-rounded companion at a solid price.
See the Canon EOS R50 V
 

Best Point-and-Shoot Travel Camera

3. Sony RX100 VII ($1,700)

Weight: 10.7 oz.
Megapixels: 20.1
Sensor: 1"-Type CMOS
What we like: Extremely compact for the quality you can achieve, Real Time Tracking AF; touchscreen; phenomenal lens with ZEISS glass; pop-up EVF. 
What we don't: Expensive for such a small camera; bad menu layout; only 4k 30 fps video; we would like a wider aperture.

The Sony RX100 VII is the ultimate pocket-sized travel companion for photographers who want stellar image and video quality without the bulk of a mirrorless setup. At just 10.7 ounces and small enough to slip into a fanny pack or jacket pocket, it’s easy to forget you’re carrying such a powerful tool. We awarded it the top spot in our point-and-shoot category for its blend of portability, speed, and pro-level features: a 20.1MP 1-inch sensor, ZEISS 24–200mm f/2.8–4.5 lens, 4K 30p video with S-Log and Active SteadyShot, and Sony’s Real Time Tracking autofocus system with 357 phase-detect points. You even get a pop-up EVF for composing in harsh light, which is a rarity in this class. It’s a camera that fits in your palm, yet delivers results that rival much bulkier rigs, making it an ideal choice for everyone from ultralight trekkers to world travelers and content creators on the move.

We put the RX100 VII through its paces on a thru-hike of the Appalachian Trail and were blown away by its performance—capturing striking stills and hours of smooth, stable video for a trail documentary. While the a6700 below has a larger sensor and interchangeable lens system for a bit less money, the RX100 VII stands apart for those who value packability above all else. Downsides include the steep price tag, a cluttered menu system, and a lens that could be a touch faster in low light. But for globe-trotters who want pro-grade shooting power in a discreet, compact body, it doesn’t get much better.
See the Sony RX100 VII
 

Most Stylish Travel Camera

4. Nikon Zfc ($1,060)

Weight: 1 lb. 14.4 oz.
Megapixels: 20.9
Sensor: APS-C DX-Format CMOS Sensor
What we like: Sleek styling with lots of customization; great image quality and color science.
What we don't: Some components feel fragile; not the best video specs; on the heavy side.

Style meets compact function with Nikon's fun Zfc camera—a timeless design with modern mirrorless features. We recently got to test a handful of travel cameras from Nikon on romps around East Africa and Europe, and came away most impressed by this sleek model. While the retro silhouette is what gets us most stoked about the Zfc, it boasts fine technical chops for beautifully capturing life on the road. Nikon outfitted this camera with the same 20.9MP sensor found in the Z50II (another favorite Nikon model for travel), but added dedicated dials for ISO, shutter speed, and exposure compensation to complement its throwback design. Reminiscent of Nikon's SLR film camera heritage—or even Fujifilm's digital camera design—we love the vintage feel of the dials, but that level of customization may take some getting used to for the modern digital crowd. Under the hood, it's nothing to necessarily write home about, but the lower price tag compared to more premium models makes up for the somewhat lackluster performance. 20.9MP isn't fantastic, but serviceable for most travelers, and while video specs could be better, you do get 4K 30p and Full HD 120p with no crop.

Despite the low megapixel count, the Zfc delivers excellent image quality with very little noise, as well as attractive, vibrant colors. Photos feel "post-worthy" right out of the camera. We are also quite impressed by the 209-point hybrid and eye detection autofocus system, which quickly locks onto subjects and follows seamlessly. Additionally, if the classic silver isn't your jam, the camera is offered in a plethora of fun, funky colorways (best seen on Nikon's site) to match your trip's vibe. That said, to achieve its compact body, some of the components do feel a bit fragile and cheap. If you grew up shooting film, you'll love the nostalgic feel of twisting and turning the retro-themed knobs, but we feel the ergonomics of the camera could be improved a bit overall. While the lack of a hand grip is in line with the styling, the Zfc feels clunkier to carry around than most other mirrorless cameras on this list. From a videographer's perspective, the lack of in-body stabilization and a headphone jack, lackluster video specs, and no support for Log or HLG video output leaves us desiring more. Finally, there currently isn't the greatest selection of compatible APS-C Z-mount lenses to choose from. These quibbles aside, as a lightweight, packable, stylish camera for casual traveling, the Nikon Zfc is a fantastic option that doesn't completely break the bank.
See the Nikon Zfc
 

Best Travel Camera for Street Photography

5. Fujifilm X100VI ($1,800)

Weight: 1 lb. 1.6 oz.
Megapixels: 40.2
Sensor: APS-C X-Trans CMOS 5 HR
What we like: Great image quality and retro styling in a compact package.
What we don't: Fixed lens may be a turnoff for some; not the best autofocus; pricey.

Is the Nikon Zfc above just not sleek or refined enough for you? Chasing the most premium image quality in the tiniest body? For almost twice as much cash as the Nikon above, Fujifilm's X100VI promises to "wow" in more ways than styling. Despite its scant weight just north of a pound, this camera packs a 40.2MP punch, competitive video specs, brilliant color science, and that signature Fuji-filmic look into one of the more streamlined packages we've tested. Now on its fifth generation, the attached Fujinon 23mm f/2 lens delivers incredible sharpness, quality, and dynamic range, with a creamy bokeh at f/2. It has top-shelf video capabilities as well, with 10-bit recording up to 6.2K at 30p (and up to 4K 60p). It also boasts 6-stop in-body image stabilization, 20 Film Simulation Modes, and even a built-in 4-stop ND filter for better managing exposure. The result is an incredibly professional design, crammed into a surprisingly portable travel package. We recently got to play around with this device while bopping around Spain and trekking through the Pyrenees—and came away overwhelmingly pleased with the content we gathered. 

Film aficionados and street photographers laud the X100VI's retro silhouette and dreamy colors—but there are several catches. For one, the fixed 23mm lens limits versatility and will be a turnoff for more run-and-gun photographers and videographers. We also felt like images lacked clarity when the lens was wide open and up close. Finally, the optical viewfinder can be swapped between traditional optical (OVF) and electronic (EVF) modes. The OVF provides a clear, lifelike view of your subject, but subject detection and eye detection do not work in this mode, and you only have a single autofocus (AF) point. We also feel that AF performance in general was lacking, and that the lens can't move fast enough to seamlessly lock onto moving targets. Finally, while the video capabilities are stellar on paper, the slow AF performance, slight crop on 6.2K and 4K 60p footage, and lack of a headphone port make it difficult to do the pro video specs justice. That said, the vibrant nostalgic footage, discrete silhouette, and impressive functionality of this compact powerhouse make it one of the more popular travel cameras for street photography.
See the Fujifilm X100VI
 

Best Action Travel Camera

6. DJI Osmo Action 4 ($299)

Weight: 5.1 oz.
Megapixels: 10
Sensor: 1/1.3"-Type CMOS
What we like: Durable and waterproof; stellar video capabilities; extremely stable footage; intuitive touchscreen function; long battery life; easy to transfer footage; front and back screens.
What we don't: Not the best for photos; difficult to make adjustments when wet; more compatible with iOS devices than Android. 

Action cameras might conjure images of backflips on skis or paragliding over Chamonix, but they’ve quietly become a go-to for travelers seeking a simple, light, bombproof way to document their adventures. For the globetrotter staring down the barrel of some mid-trip outdoor shenanigans, a durable action cam may be a good move. The DJI Osmo Action 4 took top honors in this category for its rugged construction, intuitive controls, and cinematic video quality in a tiny, travel-ready shell. During a month-long backpacking and climbing road trip across the Western U.S., we used it as our primary shooter and were blown away by the results. From soggy alpine ascents to dusty desert trails, the Action 4 delivered stunning 4K footage (up to 120 fps), handled low light surprisingly well, and never flinched in harsh weather. Battery life is another highlight, with over 2.5 hours of runtime in standard conditions and impressive performance in the cold.

GoPro still holds strong with its current Hero 13, but DJI’s D-Log M color profile, superior low-light capture, and smoother stabilization gave it the edge in our side-by-side tests—not to mention the cost savings. The photo capabilities do lag behind the Hero 13, but they’re perfectly serviceable for most travel needs. Add in handy features like the magnetic quick-release mount, underwater color correction, 360º HorizonSteady stabilization, and waterproofing to 59 feet, and you’ve got a powerful, ultra-portable option for everything from back-alley scooter rides in Japan to technical scrambles in the High Sierra. Note: The upgraded Action 5 is also available with higher image resolution and better specs overall—but also a price hike.
See the DJI Osmo Action 4
 

Best Compact Camera for Backpacking

7. Sony a6700 ($1,500)

Weight: 1 lb. 1.4 oz.
Megapixels: 26
Sensor: Exmor R APS-C BSI CMOS
What we like: Lighter than previous iterations; stellar quality in a compact, durable build; great for video; dust and moisture-sealed magnesium design.
What we don't: Expensive for beginners; frustrating menu layout; bit of a steep learning curve; battery life isn't the best.

For adventurers wanting pro-level performance in a streamlined package, the Sony a6700 is our pick for the best all-around compact camera for hiking and backpacking. It's great for most travel scenarios, but has also quickly become the model of choice for backcountry enthusiasts. Weighing just over a pound and sized to fit easily into a crossbody bag or daypack, it delivers top-tier photo and video quality without the bulk of a DSLR or full-frame mirrorless setup. Highlights include a 26-megapixel APS-C sensor, AI-powered autofocus, in-body image stabilization, and stunning 10-bit 4K video up to 120fps—all wrapped in a weather-sealed, travel-friendly interchangeable lens body. Pairing this with Sony's suite of APS-C E lenses (their full-frame FE lenses also function with Sony's APS-C line, with a crop), you get the best image quality and visual effects of any similar camera we've traveled or adventured with. Our absolute favorite lens for an ultralight kit on the road is Sony's prime E 35mm f/1.8 OSS lens, but when weight isn't as big of a concern, we'll bump up to one of our full-frame lenses and deal with the crop. Whether you’re filming tuk-tuks weaving through Bangkok or photographing ridgelines in the Alps, the a6700 punches well above its weight in any mission you find yourself on. 

Sony's line of APS-C mirrorless cameras dominates the podium for trekkers striving for a low base weight while capturing their journey in a professional style. Our author has been a fan of Sony's crop-sensor lineup for years. He's schlepped these APS-C beasts for thousands of miles along each trail of the Triple Crown and has put them through torture and torment while filming documentaries of each trek. He's gone through several iterations and praises both their photo and video capabilities in such a lightweight, durable setup. The a6700 is the best iteration yet—fast, powerful, and impressively compact. That said, its interface is notoriously dense, with a confusing menu system and steeper learning curve than most beginner-friendly models. And at $1,500 for the body alone (and Sony's lenses aren't cheap), it’s not the most affordable entry point into mirrorless photography. But if you're a weight-conscious traveler looking for a camera that excels at both stills and video in a highly portable design, the a6700 is hard to beat. For a more budget-friendly alternative, consider the older Sony a6400 at $1,000.
See the Sony a6700
 

Other Travel Cameras We Shoot On

8. Ricoh GR III HDF ($1,150)

Weight: 9.2 oz.
Megapixels: 24.2
Sensor: APS-C CMOS
What we like: Impressive ISO sensitivity and sensor for its size; gorgeous colors and picture profiles; built-in ND filter on the GR IIIx (two stop ND 0.6); great manual settings; touchscreen LCD screen; broad aperture range; razor-sharp lens.
What we don't: Expensive; in high demand so stock is inconsistent; lackluster video capabilities; poor battery life; no EVF; fixed lens limits versatility; no weather protection; not the most durable.

For travelers chasing pro-quality stills without the bulk, Ricoh’s GR III HDF is a near-perfect tool. At just over half a pound and small enough to slip into a hipbelt or jacket pocket, it’s become a favorite among international travelers, ultralight backpackers, and urban explorers alike. Ricoh’s filmic color profiles, beautiful rendering, and tactile controls have given it a cult-like following—and for good reason. The GR IIIx version comes with a built-in two-stop ND filter for better control in bright light, while the HDF edition featured here features a highlight diffusion filter that adds a soft, dreamy glow to your images. The 26.1mm f/2.8 lens (40mm full-frame equivalent) is wickedly sharp, and its APS-C sensor delivers stunning dynamic range, low-light performance, and natural-looking photos straight out of the camera. We recently brought it along on a string of hiking and climbing missions in Colorado and were floored by its low-profile build and reliably gorgeous image quality.

Of course, the GR III’s tiny form does come with tradeoffs. There’s no EVF, weather sealing, or articulating screen, and video performance is sorely lacking at just 1080p/60 fps. Battery life is also limited, so you’ll want to carry a few spares for multi-day outings. Also, the fixed focal length lens limits its versatility as a point-and-shoot. All told, if you’re focused on still photography and willing to work around its quirks, this is one of the most powerful travel cameras you can buy—especially for those counting every ounce. Availability can be spotty, but we’ve found occasional deals on renewed models via Amazon and B&H. For the traveling photographer who wants top-notch quality in an ultralight setup—and isn't overly concerned about video performance—the GR III HDF is hard to beat.
See the Ricoh GR III HDF

 

9. OM System OM-3 ($2,000)

Weight: 1 lb. 1.6 oz.
Megapixels: 20
Sensor: Micro Four Thirds Stacked BSI Live MOS
What we like: Fast burst shooting; excellent weather resistance; compact Micro Four Thirds system ideal for travel.
What we don't: Small EVF; no AF joystick; autofocus tracking can be hit or miss.

The OM System OM-3 is a powerhouse travel companion built for speed, portability, and versatility in the field. At just over a pound, it’s compact enough to stash in a sling or daypack, and pairs with a wide range of lightweight Micro Four Thirds lenses to keep your setup minimal while on the move. The stacked sensor brings serious performance to the table, with burst shooting up to 50 fps (with continuous autofocus) and computational modes that elevate everything from landscapes to wildlife shots. The camera is surprisingly intuitive, with customizable controls, a quick-access color profile dial, and a dedicated computational photography button that makes on-the-fly adjustments a breeze. Add in weather protection rated to IP53, and you’ve got a rugged little rig that doesn’t flinch when the skies open up.

Performance-wise, the OM-3 holds its own with reliable subject tracking, great low-rolling-shutter performance, and pre-capture capabilities that help nail fast-moving moments. Autofocus isn’t quite class-leading—especially when it comes to predicting motion—but it’s fast and consistent in most settings. On the video side, the OM-3 can shoot crisp, full-width 4K 60p footage with both headphone and mic jacks, and we appreciate the added image quality in 10-bit Log and HLG modes. The lack of a grip won’t suit everyone, and the EVF is on the smaller side, but if you’re after a do-it-all travel camera that’s fast, weather-sealed, and impressively compact, the OM-3 is an easy pick.
See the OM System OM-3

 

10. Fujifilm X-H2S ($2,900)

Weight: 1 lb. 8 oz.
Megapixels: 26.2
Sensor: APS-C CMOS
What we like: Great colors in JPEG and raw; super fast shooting; fantastic video performance; robust weather-sealing; effective autofocus; solid hybrid video/photo camera.
What we don't: Heavy and bulky; not the best low light performance; expensive for an APS-C; touchscreen can be finicky.

If you're a hybrid shooter who needs one camera to do it all, the Fujifilm X-H2S is one of the most capable APS-C bodies on the market. We put it through the wringer on a rugged expedition in the Himalayas—filming alongside the full-frame Sony FX3—and it never flinched. Weather sealing is excellent, autofocus is fast and dependable, and the sensor is built for speed, with burst shooting up to 40 fps and impressive subject detection. On the video side, it delivers 10-bit 6.2K footage at up to 30 fps, or 4K at 120 fps, which is among the best in class. And thanks to Fuji’s renowned film simulations (we’re partial to Eterna for a flat, low-saturation look), colors shine in both JPEG and video formats, straight out of the camera.

Of course, all that performance comes with a few tradeoffs. At 1.5 pounds, the X-H2S is on the heavy side for travel, and its bulky frame takes up noticeable space in a travel pack. Low-light performance is decent but doesn’t quite match what you’ll get from full-frame rivals, and we found the touchscreen interface to be a little finicky at times. Price is another factor: At $2,900 for the body alone, it’s a serious investment for an APS-C model. But if speed, reliability, and top-tier hybrid performance are your priorities, the X-H2S is more than up to the task.
See the Fujifilm X-H2S

 

11. Panasonic Lumix S9 ($1,500)

Weight: 14.4 oz.
Megapixels: 24.2
Sensor: Full-Frame CMOS
What we like: Incredible performance-to-weight ratio; full frame in a compact size; fantastic video specs; great colors; impressive stabilization.
What we don't: Pricey; not as high resolution as other full-frame models; not the best in-hand feel; no EVF, headphone jack, or hot shoe.

The Panasonic Lumix S9 is one of the most exciting compact full-frame cameras to hit the market in recent years, for both travellers and trekkers. Weighing a scant 14.4 ounces and measuring smaller than most APS-C options, the S9 offers pro-level imaging performance in a design that’s ideal for hopping ponds. It captures sharp, detailed stills with its 24.2MP sensor, while 6K/30p and 4K/60p 10-bit video modes give serious creators room to work. Content is impressively steady thanks to in-body 5-axis stabilization, and Panasonic’s Real-Time LUT system allows users to apply custom color profiles directly in-camera—a huge plus for social media-minded travelers. Toss in a fully articulating LCD and eye-catching retro design available in multiple colorways, and the S9 is a stylish, do-it-all option that’s easy to carry and fun to use. Our red model is one of our favorite cameras to tote around town for urban street photography.

To achieve its sleek design, however, Panasonic trimmed a few features that veteran creatives may miss. There's no electronic viewfinder, headphone jack, or hot shoe—meaning vloggers and professionals will need to work within its limitations. The minimalist grip also makes the S9 feel a bit awkward in the hand, and its autofocus tracking and rolling shutter performance lag behind some competitors. But for travelers who prioritize weight, portability, and video capabilities in a full-frame body, the Lumix S9 is a standout. It’s one of the best compact options we've tested for creatives who want to travel light without leaving their serious gear behind.
See the Panasonic Lumix S9

 

12. Canon PowerShot SX740 HS ($530)

Weight: 9.7 oz.
Megapixels: 20.3
Sensor: 1/2.3"-Type CMOS
What we like: Affordable; lightweight; great image colors; broad 40x zoom range.
What we don't: Not the best ISO sensitivity; no touchscreen or EVF; can't shoot in raw; image quality decreases at longer focal lengths.

For travelers who want something light, simple, and easier on the wallet, Canon’s PowerShot SX740 HS hits a nice sweet spot. This compact point-and-shoot weighs just 9.7 ounces and is one of the most packable cameras on our list, making it a great fit for sightseeing, casual street photography, or documenting trips without fussing over lenses or settings. The standout feature here is the impressive 40x zoom lens, which translates to a 24-960mm equivalent focal length—by far the longest reach of any travel camera in this guide. It also comes equipped with 5-axis image stabilization to help offset shake at longer focal lengths and delivers crisp JPEGs with Canon’s signature color science.

That said, the SX740 HS isn’t without compromises. The small sensor and limited ISO range (maxing out at 3,200) struggle in low light, and you can’t shoot in raw or use a viewfinder—two features that will matter to more serious shooters. Image quality also drops off noticeably when zoomed all the way in. Additionally, the video capabilities of the SX740 aren't anything to write home about, but they will get the job done with 4K shooting up to 30 fps and 1080p up to 60 fps. But for those who want a simple, affordable, do-it-all pocket camera for travel, the SX740 HS offers excellent value and reach in a featherweight package. Note: for a significant bump up in performance, image quality, and video capabilities, check out Canon's recently released 22.3MP PowerShot V1 point and shoot—which comes with both a higher price and weight (13.4 ounces).
See the Canon PowerShot SX740 HS

 

13. Nikon D850 ($2,600)

Weight: 2 lb. 0.2 oz.
Megapixels: 45.7
Sensor: Full-Frame FX-Format BSI CMOS
What we like: A top DSLR on the market; stellar image clarity; .
What we don’t: Bulky; heavy; pricey; poor video performance.

Traditionally, digital SLRs were considered to be the best of the best in photography. They have large sensors, the widest selection of lenses, and feel sturdier in the hand than most mirrorless cameras. At the entry-level end of the spectrum, DSLRs are often cheaper than their mirrorless counterparts, and many professionals use full-frame cameras that are heavy and expensive but capture exceptional images and videos. Mirrorless cameras dominate the travel scene, but we feel like select DSLRs still have their place. Weight and bulk aside, the Nikon D850 is one of the top DSLR on the market in 2025 and a great option for travel. You get a massive full-frame image sensor with 45.7 megapixels of resolution, an ultra-advanced autofocus system, superb video quality including 4K (topping out at 30 fps), and just about all of the other bells and whistles you could ask for.

Of course, the camera body weighs over two pounds without lenses—full-frame lenses aren’t exactly light either—but that’s the price you’ll pay for such stellar image quality. The D850 is the DSLR that many top professionals carry in their bag, and for good reason. The biggest competitor to the D850 is the DSLR Canon EOS 5D Mark IV below, which is an outstanding camera in its own right but falls short of the Nikon in a number of key categories. It has less resolution with a 30.4-megapixel sensor, inferior autofocus, slower buffering speeds, and shorter battery life. The 5D Mark IV does weigh slightly less and has built-in GPS, but given that both cameras are similar in weight, we favor the D850. The tradeoffs to a DSLR like this Nikon are rather obvious: it's the heaviest model on this list, is incredibly bulky, and has lackluster video performance. However, if weight, space, and video aren't huge concerns on your trip, a DSLR could be a good option for top-shelf image quality and timeless footage.
See the Nikon D850

 

14. Canon EOS 5D Mark IV ($2,500)

Weight: 2 lb.
Megapixels: 30.4
Sensor: Full-Frame CMOS
What we like: Does everything well. 
What we don’t: Fewer megapixels and features than the Nikon D850 above.

Among professional cameras, many photographers pick one brand and stick with it, and the 5D Mark IV is Canon's most popular full-frame DSLR. It’s the whole package: you get 30.4 megapixels of resolution, 4K video (30 fps max), a burst rate of 7 frames per second for action photography, and the premium build quality and ergonomics that Canon is known for. For everyone from pro travel photographers to serious enthusiasts, the 5D is one of the top DSLRs on the market of any type. 

The Canon EOS 5D Mark IV, however, is in many ways outmatched by the Nikon D850. As described above, the Nikon wins out in most categories that matter: it has more megapixels, superior autofocus, a more modern feature set, and a similar weight, though the price is slightly higher. Additionally, our same DSLR qualms follow the 5D, namely a bulky, heavy body, and unimpressive video performance (footage is even cropped in at 4k). That said, for serious fans of Canon's color science and layout, this would be the move if you're leaning towards a DSLR for travel.
See the Canon EOS 5D Mark IV

 

15. Sony a7R V ($4,200)

Weight: 1 lb. 9.6 oz.
Megapixels: 61
Sensor: Full-Frame Exmor R BSI CMOS
What we like: The best mirrorless camera on the market.
What we don’t: Very pricey, and so are the lenses.

Ending with a bang, our Sony-loving author had to include his absolute favorite series of cameras for anything from travel to full-blown backcountry thru-hikes: Sony's a7. An a7 III has accompanied him for nearly five years on international romps around the globe and rugged adventures of all manner—and the a7R V represents the top tier for travelers. For those who aren’t intimidated by the cost, this is the cream of the mirrorless crop. This sleek camera is the real deal: you get a full-frame image sensor with a whopping 61MP of resolution, superb autofocus, 10-bit 8K 24 and 4K 60p video (with Sony's signature S-Log3 and S-Cinetone picture profiles), weather sealing, an epic collection of lenses to choose from... we could go on and on. Adding to the mix, an all-new AI-based autofocus system delivers advanced subject recognition, 8-stop in-body image stabilization helps with crisp footage, and cutting-edge sensors assist with accurate color reproduction and auto white balance processing. For discerning travelers who crave impeccable detail, this is the best all-around mirrorless camera for life on the road—with a respectable 1 lb. 9.6 oz. scale reading and a relatively compact design.

So why did we plunk this at the bottom of our listicle? Quite obviously, the price tag (for the body alone) is a strong deterrent for all but the most serious creatives. Compounding things, to truly do justice to the range of pro-grade specs in the a7R V, you'll want to pick up one of Sony's more premium lenses (optimally from the "GM" line), which all soar north of $1,000 (the "G" line would definitely suffice, but is still costly). That said, we've been running a 35mm GM lens on our Sony Alpha camera 90% of the time for both photo and video, and have yet to find a better alternative, despite new competition on the market. Concerning price, Sony's cheaper/older Alpha cameras are fantastic alternatives to the premium a7R V, such as the a7 IV ($2,700) or a7R IV ($3,400). Also, if weight and space are a concern, we'd still recommend our top-rated full-frame a7CR. Other qualms we have with the a7R V lie in finicky details around the complexity of maximizing the (stellar) autofocus, slight video crop at higher resolutions, and some other gripey UX complaints around the menu layout and status screen display. But these honestly pale in comparison to the sheer capability of this work of art. If you can shell out the cash, grab one before your next flight and don't look back.
See the Sony Alpha a7R V

 

Buying Advice

• Travel Camera Categories
  • ​Point-and-Shoots
  • Mirrorless Cameras
  • Digital SLRs
• What Makes a Great Travel Camera?
  • ​​​​​Resolution: Image Sensor and Megapixels
  • Weight and Size
  • Versatility
  • Discreetness
  • Durability and Weather Sealing
  • Video
• What About Lenses?
• Carrying and Protecting Camera Gear While Travelling
• Conclusion
   

Travel Camera Categories

The list above spans a wide variety of camera types and quality levels, so it’s worth taking a close look at the full set of specs before making a decision. For example, while an interchangeable lens body might not weigh much more than a compact point-and-shoot, the lens you pair with it can significantly impact your overall kit weight—ranging from a few extra ounces to multiple pounds (we cover this in more detail in our lens section below). To help narrow things down, we’ve broken down the main camera categories and outlined who each is best suited for.
 

Point-and-Shoots

Point-and-shoots are the simplest type of camera, but a very viable option for travel. Most truly are pocketable (unlike mirrorless cameras or DSLRs), come with an attached lens, and are fairly economical. The good news is that point-and-shoots have come a long way in recent years, offering large image sensors, big zoom capability (something the camera on your phone lacks), and features like 4K video and built-in Wi-Fi. It’s hard to imagine hitting the road these days without a smartphone in your pocket. Gone are the days of clunky Nokias and separate travel cameras tucked into fanny packs. In their place came the rise of pocket-sized point-and-shoots: slim, lightweight devices with built-in zoom and video features that let travelers document their journeys without the bulk of a full camera setup. But fast-forward to now, and the iPhone 16 Pro boasts a staggering 48MP main sensor, intuitive manual controls, on-the-go editing tools, and seamless sharing options—features that blow early digital cameras out of the water.
 

With phones offering this level of quality and convenience, it’s fair to wonder: is there still room for a dedicated point-and-shoot in your travel kit? We’d argue yes. While smartphone cameras are incredibly capable, they still can’t match the image quality, depth, and character of a dedicated lens—especially on higher-end point-and-shoots. iPhone photos, in particular, have become so common that they often feel flat and uninspired, lacking the creative nuance many travelers are after. A standalone camera not only delivers more dynamic images, but also helps conserve your phone’s battery for navigation, translation, or emergencies—a major perk when you're far from an outlet or hopping between destinations. For us, all it takes is a vibrant shot from something like the Sony RX100 VII or Ricoh GR III HDF to remind us that the weight penalty is worth it.
 

Mirrorless Cameras

Mirrorless interchangeable-lens cameras were built entirely for digital, fitting DSLR-like image sensors into compact bodies (they forego the bulky internal mirror system, which cuts down on size). All things considered, mirrorless is our favorite type of camera for travel, offering outstanding image and video quality in a lightweight package. It’s worth noting that you will need to take lenses into consideration, which add cost and weight. And while mirrorless cameras are smaller than DSLRs, they won’t fit in your pocket and therefore require extra space in your bag. Mirrorless sensors have removed all of the mirror design components—traditional pentaprisms and reflex mirrors—instead using an electronic imaging sensor to ensure the image shown to the photographer through the viewfinder is identical to what is taken by the camera. This is by far our favorite category for everything from international travel to hiking and backpacking, due to the balance of weight, size, video performance, and overall function.
 

Mirrorless cameras are a great choice for travelers who want professional-level image quality in a compact, packable form. Many travel photographers and content creators have made the switch from DSLRs to mirrorless systems thanks to their lower weight and smaller footprint—perfect for carry-ons or day bags. That said, mirrorless cameras often come with a higher price tag and tend to burn through batteries faster, since the sensor and screen are always active. This means you’ll want to pack a few spares or bring along a high-capacity power bank, especially for long travel days or remote trips. We've had great luck with Sony’s mirrorless systems, though we’ve found they can be a bit more power-hungry than some competitors. Some of our favorite mirrorless cameras for traveling include our top pick, Sony's a7CR, the Sony a6700 (for minimalist travel or lightweight backpacking trips), and Fujifilm's X-H2S. 
 

Digital SLRs

Before mirrorless cameras existed, digital SLRs (DSLR) were the only game in town for professionals and enthusiasts. They are the heaviest of the digital camera bunch, but they’re also built like tanks, offer top-tier image quality, and have the widest selection of lenses. They work by bouncing light off a 45-degree mirror and into an optical viewfinder, so you’re seeing exactly what the lens sees—no digital screen required. This old-school mechanical setup makes them bulkier and heavier than mirrorless models, but also simpler to troubleshoot in the field. Travel-friendly crop-sensor DSLRs can be surprisingly light, but full-frame heavy hitters like the Canon 5D Mark IV or Nikon D850 tip the scales at around 2 pounds before you even add a lens. For most travelers, the size and weight tradeoff just isn’t worth it given how far mirrorless technology has come, but if you’re a diehard stills photographer who prizes optical viewfinders and durability over portability, a DSLR could still earn a place in your carry-on.
 

What Makes a Great Travel Camera? 

Resolution: Image Sensor and Megapixels

Resolution should be a central factor in your camera buying decision. After all, it’s the quality of the photos and videos that matters most. First, take the size of the image sensor into consideration, which is what will collect all of the information (detail and colors) for your photos. A CMOS (Complementary Metal Oxide Semiconductor) sensor is one of the most common ones you'll find on modern cameras. These come in different designs and sizes. The most common sensor sizes are full-frame (36mm x 24mm), crop-sensor APS-C (around 22mm x 15mm or 23.6mm x 15.6mm), and micro four thirds (around 18mm x 16mm). 
 

Full-frame models, like the Panasonic Lumix S9 (pictured above), offer the best image quality, low-light performance, dynamic range, and noise control, but often run on the larger side. APS-C and Micro Four Thirds cameras can't capture as much light as full-frame cameras, but still produce quality images and are great for keeping weight and bulk down while traveling. After that, the megapixel count influences resolution, although it varies much less than sensor size. More megapixels translate to more image detail, editing abilities, and cropping freedom. We generally like to shoot with cameras that have at least 20 MP (such as Sony's 26 MP a6700), but lower-quality point-and-shoots will get the job done if you don't plan to do much with your content in post production.
 

Before you shop, ask yourself how you plan on using your travel photos. If the majority will be online, any camera on the list will do just fine. If you plan on enlarging or printing your photographs or using them professionally, the size of the image sensor, megapixel count, and your lens choice all play an important role in the quality of the photos. Additionally, if you plan to do a lot of post-processing, shooting in RAW with a high megapixel sensor gives you the most information to play with in your content. That said, some of our best photos have been taken with small cameras simply because we had them available. You just can’t replicate a brilliant photo taken with a DSLR or mirrorless camera and a high quality lens.
 

Weight and Size

A travel camera should be easily portable: you’ll be lugging it with you on flights, in rental cars, and around your neck while walking. Point-and-shoots are the smallest type of camera, and one of our favorites, the Ricoh GR III HDF, weighs just 9.2 ounces all-in and easily slides into most pockets. Mirrorless cameras are larger: they are approximately 2/3 the size of a comparable DSLR and start at around 11 ounces for the camera body (like the Canon EOS R50 V). Most won’t quite fit in a pocket (unless you shoot with a tiny pancake lens), but are easy to grip with one hand and have small cases that are light enough to carry with ease. DSLRs are the largest type of camera, but there are some nice entry-level options like those that still weigh well under a pound without a lens. Keep in mind that for both mirrorless cameras and DSLRs, you’ll need to take into account the bulk and weight of both the camera body and any lenses you will be bringing along.
 

In the end, snag the camera you truly want—keeping size and weight in mind—but don’t overthink it. There are no shortcuts to capturing unforgettable travel images or video. You can stick with your phone for convenience and end up with decent but forgettable shots, or you can pack a bit more gear and come home with professional-quality photos worth printing and framing. Many seasoned travel photographers try to downsize over the years, only to return to their trusty full-frame setup. In the end, the extra bulk is worth it for those serious about documenting their adventures in a way that does them justice.
 

Versatility 

Travel photography involves capturing images in a wide range of circumstances, and sometimes unexpectedly. If you’re buying a point-and-shoot, a camera with a wide zoom range is optimal—the Sony RX100 VII (24-200mm), for example, offers one of our favorite focal lengths, and stays crisp throughout the entire spectrum. In addition, superzooms have become increasingly popular, which really push the boundaries in terms of zoom range. For example, the Canon SX740 HS has a massive 24-960mm of range while weighing just 9.7 ounces. What gives? The image sensor is small and the lens is slow in terms of aperture, both of which are very real trade-offs. For the best quality and versatility, pair a mirrorless or DSLR camera with a solid zoom or telephoto lens.
 

Mirrorless cameras and DSLRs have interchangeable lenses, and most are offered with a kit lens (an 18-55mm, 16-50mm, or something in that range). It’s worth noting that kit lenses will get you out the door and shooting photos at a good price, but their optical quality is generally limited. If you want better sharpness and bokeh, and lower distortion and vignetting, it’s worth spending up for higher-end zooms or primes. Keep in mind, though, that zoom lenses don't tend to be as fast (they have higher minimal f-stops) or produce as high-quality images as primes (more on that in our lenses section below). 
 

Discreetness 

The last thing you want when traveling is to be handicapped by fear of carrying or using your camera. In dense urban areas around the world, for example, it can be uncomfortable and somewhat risky to have an expensive camera and bag of lenses, knowing that someone else at your crowded café may be eyeing it. When traveling in small villages in developing countries, it can feel awkward and attention-grabbing to break out a $3,000 full-frame DSLR (you may wish you had a smaller and more unassuming camera). Cameras like the Fujifilm X100VI boast incredible performance chops in a tiny package (lens included). We have found the tiny Sony RX100 VII point-and-shoot to deliver the absolute best quality-to-size ratio of any camera we've tested, making it one of our favorites for capturing images in crowded contexts as discretely as possible. The point is that you want to be able to use your camera at all times—it doesn’t do you any good in your hotel room or backpack.
 

Point-and-shoots are most discreet due to their small size—we love that a common thief would likely have no real idea that the Sony RX100 VII or Ricoh GR III is such a nice camera. Mirrorless cameras generally look less expensive than DSLRs, but clearly are the real deal. DSLRs look the most expensive due to their size, but that doesn’t mean you shouldn’t use one. Just take proper precautions to keep it safe. Also, when shooting video in crowded urban settings, things get even more complex—especially if you're sporting a fluffy mic on top. We recommend a versatile and compact zoom lens so that you can remain stationary when filming and punch in and out to get the scenes you want instead of having to pace back and forth awkwardly. Sony's FE 24-70mm f/2.8 GM II lens is our absolute favorite run-and-gun model for capturing a variety of wide and tight scenes in crowded areas.
 

Durability and Weather Sealing

Depending on the type of travel you do, a weather-resistant, durable camera may be in order. While this is more important on cameras for hiking and backpacking, it's still an important consideration when traveling. Generally, we don’t recommend rugged models, which essentially are basic point-and-shoots that have a special casing to make them waterproof, dustproof, shockproof, etc. The truth is that these cameras have small sensors, and you pay a lot for the protection. The OM System Tough TG-7 is one of the leading rugged cameras on the market, but we prefer a cheaper point-and-shoot that offers superior image quality. The exception to this rule would be serious outdoor excursions like rafting or long overland travel to remote places where you just don’t want to think about the condition of your camera. 
 

Reasonable care, not shooting in wet or dusty weather, and proper storage will protect most cameras just fine. However, some mid-range and high-end cameras are weather resistant and have sealed joints that make them better able to handle the elements. For more information, see our list of weather-sealed DSLRs and weather-sealed mirrorless cameras. Even with durable builds, cameras are inherently more fragile than much of your travel kit, and need to be transported and used with care (more on this in our carrying and protecting section below). If we are overly concerned about damaging our camera mid trip, we'll often throw them in a half or full cage (such as this SmallRig half cage for the a6700) as an insurance policy, but this adds weight and bulk. You might also consider getting dedicated insurance for your expensive tech, something we almost always do when traveling abroad. While homeowner’s insurance sometimes covers electronics, we typically opt for a separate travel policy—our go-to is World Nomads—which includes protection against theft and damage.
 

Video 

Video is a take it or leave it feature: some people love it, while others rarely use it and don’t need to pay extra for the functionality. Even pocket cameras capture 1080p video nowadays, but 4K is becoming much more prevalent. Most modern cameras shoot decent video, but videographers will want to make that a priority in their buying decision. If you’re just looking to grab the occasional clip to share with friends and family, a basic setup will do. But if your goal is to document a big chunk of your journey—whether that’s a multi-day trek through Nepal or a month of slow travel in Southeast Asia—it’s worth investing in a camera with stronger video chops. We generally stick to gear that can shoot at least 10-bit 4K up to 60 fps, which allows for smooth slow motion, speed ramping, and more creative flexibility in editing. While not listed above, the compact Sony FX30 and bulkier FX3 are our favorite "cinema cameras" for trips where shooting video is our primary task, but weight and space are still concerns.
 

Pro-level video specs also bring perks like flat picture profiles (great for color grading) and the ability to capture more detail in each frame. That said, high-resolution footage will eat through memory cards faster—something to keep in mind on extended trips where storage and weight matter. You’ll also need to manage exposure without leaning on shutter speed, which is why a lightweight variable ND filter (one of our favorites is the K&F Concept 77mm Magnetic ND64) is a lifesaver in bright midday light. And don’t overlook audio: built-in mics can handle ambient trail sounds, but for interviews or richer soundscapes, a lightweight external mic like the RODE VideoMicro II or even mini Boya M100 is worth packing—ideally paired with a dead cat windshield for your specific mic to tame the wind.
 

What About Lenses for Travel?

Once you’ve locked down your camera selection, it’s time to start thinking about travel lenses. Point-and-shoots come with an attached lens so there are no choices to be made there, but mirrorless cameras and DSLRs have interchangeable lenses and the glass you choose can make a huge difference. Both types of cameras are offered with kit lenses that are 18-55mm, 16-50mm, or something in that range. These are decent starter options that get you out of the door and shooting photos, but are middle-of-the-road in terms of image quality. Many people supplement their lens collection at the outset of their camera purchase or sometime after.
 

In terms of lens selection for travel, there are two main routes you can go: 1) A versatile zoom or telephoto lens that covers most of your shots; or 2) A handful or primes that can be switched out depending on your desired focal length. For either, we think of the heart of the travel photography focal length range as 24-70mm. There are great lenses with those exact focal lengths: the 24-70mm f/2.8 is the classic pro zoom (like Sony's FE 24-70mm f/2.8 GM II lens), but it’s more readily available for full-frame cameras than APS-C. The good news is that APS-C prime lenses are reasonably priced compared to their full-frame counterparts, so it’s not a huge financial burden to pick up a 35mm or 50mm prime to supplement your kit zoom lens. 
 

If you are planning on shooting close-ups of faraway objects or wildlife photography while on safari, you’ll want to add a telephoto lens to your collection. Again, these are much less expensive for APS-C cameras than full frame. Our go-to for wildlife photography is Sony's 100-400 f/4.5-5.6 GM lens. There also are all-in-one options of the 18-200mm and 18-300mm varieties that cover all of the focal lengths mentioned above, but they are heavy and not as good optically as specialty lenses. We’ve shot with all-in-one lenses many times, but feel that primes (those with a fixed focal length) or zooms with smaller focal length ranges are the best way to go. Prime lenses are typically lighter, more compact, and offer faster apertures (lower f-stops) than zoom lenses.
 

For minimalist travel where weight and space are core concerns, our favorite pairing is Sony’s a6000 series with the tiny E 35mm f/1.8 OSS lens. This setup hits the sweet spot with its wide aperture, pocket-friendly size, and 35mm focal length on an APS-C sensor (the full-frame “nifty fifty” equivalent of 52.5mm). The built-in Optical SteadyShot (OSS) adds welcome stabilization for both stills and video, and the lens tips the scales at just 5.4 ounces. When shopping for DSLR or mirrorless lenses, check the 35mm equivalent—most APS-C cameras ship with 18-55mm kit lenses (around 27-82.5mm for Nikon, 29-88mm for Canon). For landscape photography, adding a true wide-angle can greatly improve field of view and image quality, even if it means a bit more cost and weight. Slim options like Sony’s 2.4-ounce E 16mm f/2.8 (24mm equivalent) keep bulk to a minimum, but premium picks, like Sony's new ultra-wide full-frame 16mm f/1.8 G lens is our new obsession for landscapes. If you’re packing just one lens, though, the versatile “nifty fifty” remains our top pick. For more information, see our lens reviews and our guide on lenses and focal lengths for landscapes.
 

Carrying and Protecting Camera Gear While Travelling

Travel cameras and lenses are both delicate and pricey, so protecting them on the go is key. The trick is finding a system that shields your gear from bumps and bad weather without slowing you down when that perfect shot appears. When flying or moving between destinations, we pack our cameras in a padded camera cube or a neoprene case sized for the body and lens. For exploring cities or walking between sights in good weather, a clip system like Peak Design's Capture Clip keeps your camera securely on your daypack or backpack's strap and ready to grab in seconds.
 

For medium-sized kits, Lowepro's GearUp PRO Large II Camera Box fits a body, a couple of lenses, and accessories with ease, while Peak Design's Camera Cubes V2 integrate neatly into their own packs and carry-on, but work in most other travel backpacks too. We've recently been toting camera loadouts around the country in Peak Design's latest Roller Pro Carry-On, which meshes perfectly with their XL Camera Cube, big enough to haul multiple camera bodies and full-length telephoto lenses. For serious gear-intensive photo/video shoots abroad, we pair this carry-on with Peak Design's Everyday Zip 20L—our absolute favorite camera backpack for trotting around the globe—to make sure we safely transport each element of our kit.
 

While traveling around town after your flight, it's helpful to have a dedicated camera backpack specifically designed to stash and protect cameras. These backpacks often have camera cubes built into the pack, and are more rigid and padded, with quick access points to cameras and lenses. Some of our favorite camera backpacks for everyday use include the Peak Design mentioned above and Thule's Covert 32L. For more technical, rugged day hiking, we like Lowepro's Flipside Trek BP 450 AW. For multi-day trips, fully featured backpacking backpacks like AtlasPacks' Athlete or Moment's Strohl Mountain Light are stellar solutions for protecting cameras, lenses, mics, and more on long treks. If rain is a concern, we drop our cameras into a roll-top dry bag or line our pack/duffel with a waterproof liner. 
 

Carrying Cameras with Camera Straps

For shorter day hikes, city wanders, or afternoons exploring a new town, simply tossing a strap on your camera is often all you need. Even on longer treks—especially when we’re lugging a heavy, bulky setup—we like to keep a strap around our neck while the camera is clipped into a Peak Design Capture Clip for extra security. That way, when we unclip to snap a shot, the camera stays tethered to us. This system shines on mountaineering and climbing trips, where a quick photo might mean leaning over an edge with a pack still on.
 

While most stock straps have decent padding, aftermarket options abound with extra cushioning for all-day comfort, like the B-Graip Flexy Strap for heavier rigs. We’re also big fans of Peak Design's Slide Lite Strap, which makes it easy to attach or remove the strap mid-journey—perfect when switching between sightseeing in town and scrambling up a ridge. Another lightweight option for in-hand security is a dedicated hand strap on the shutter side. We’ve had excellent results with Peak Design’s Micro Clutch. It integrates cleanly with the Capture Clip and offers a good grip—though it can’t match the peace of mind of a neck strap when moving fast.

Conclusion

In the end, bringing a high-quality camera with you on your travels is futile if you don’t actually use it. Lugging around a bulky DSLR might get you stunning shots when you’re willing to stop and set up, but it can also mean leaving your camera in the bag when a spontaneous moment arises. For many travelers, striking a balance is key: a compact model like the Sony RX100 is perfect for quick access in a jacket pocket or sling, while a mirrorless or DSLR tucked away in your pack can shine when you’re ready to slow down and compose a scene.
 

In our opinion—if you have the space and weight allowance—top-notch cameras like Sony's a7CR are worth their weight in gold when trotting around the globe. You can use your iPhone for quick, spontaneous shots (cell phone pics are getting better and better each year), and take the time to whip out your actual camera to solidify those truly memorable moments. No matter what you bring, the important thing is making sure your camera is accessible enough that it doesn’t stay stashed, and works well with your luggage layout and trip objectives. After all, the best travel photos are often the ones you didn’t see coming.
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