The lower end of the camera market is being challenged by smartphones, but advanced and mid-range point-and-shoots are thriving. In 2017, you can get a compact camera with a larger sensor, more megapixels, and more connectivity options and features than ever before (even 4K video is now available at this level). Whether you’re a professional looking for a smaller alternative to your DSLR or mirrorless camera, or an amateur looking to improve your photography, below are our picks for the year’s best point-and-shoots. For more information, see our point-and-shoot comparison table and buying advice below the picks. 

1. Sony RX100 ($448)

Sony DSC-RX100Category: Mid-range
Megapixels: 20.2
Sensor size: 116 sq. mm
Zoom: 28-100mm
What we like: One of the best values on the market.
What we don’t: No electronic viewfinder or 4K video.

When people ask us which point-and-shoot they should buy, we almost always recommend Sony’s RX100 series. These advanced compacts check all the boxes: large sensors, fast Carl Zeiss lenses, and a number of advanced features, all in lightweight and durable bodies. And with the release of the RX100 V below, you now have a whopping five models to choose from.

Why do we recommend the original RX100 here? Simply put, it’s the best value of the bunch. The sensor and internal components of the RX100 are almost identical to the newer and far more expensive versions, so you get very similar image quality. Compromises come with the lack of a pop-up electronic viewfinder and 4K video, both of which are important features but not worth doubling the cost or more in our opinion. And serious video shooters should consider the Panasonic LX10 below, but we love the value of the RX100. Grab one while supplies last. 
​See the Sony RX100


2. Panasonic Lumix LX10 ($698)

Panasonic Lumix LX10 cameraCategory: Enthusiast
Zoom: 24-72mm
Sensor size: 116 sq. mm
Megapixels: 20
What we like: An impressive mix of image and video quality. 
What we don’t: Limited zoom range and slower than the Sony RX100 V.

We absolutely loved the old Panasonic Lumix LX7, which was near the top of our lists of the best point-and-shoots and travel cameras for years. Enter the new LX10, which is very competitive with nearly all of the advanced point-and-shoots on the market, including those from Sony and Canon. Most notable is the f/1.4-2.8 lens, which is the fastest on the list and offers superb low light performance for a compact. The LX10 also has a touchscreen, which the Sony RX100 V does not, and shoots 4K video. It’s the whole package for travel photographers and aspiring videographers looking for a small set-up.

What are the downsides of the LX10? There aren’t many, but one is the 24-72mm zoom range, which is slightly longer than the RX100 V but shorter than the Canon G7X Mark II. It also shoots much slower than the RX100 V at 10 fps, although that’s perfectly serviceable for most uses outside of serious action photography. And the LX10 also wins out on price, coming in less than most comparable high-end point-and-shoots. 
See the Pansonic Lumix LX10


3. Canon G7 X Mark II ($679)

Canon G7X Mark II digital cameraCategory: Enthusiast
Zoom: 24-100mm
Sensor size: 116 sq. mm
Megapixels: 20.2
What we like: More focal length coverage than the cameras above.
What we don’t: No viewfinder or 4K video.

Sony dominated the 1” sensor market for years, but Canon has come out swinging with a dizzying array of premium point-and-shoots. Our top pick for 2017 is the G7 X Mark II, which is more expensive than the G9 X Mark II below but loaded with features and functionality. First, you get a useful focal length equivalent to 24-100mm, which is more coverage than the G9X Mark II, any Sony RX100 camera, and the Panasonic LX10 above. It also has a tilting rear LCD with touchscreen functionality, along with a fast f/1.8-2.8 lens that performs very well in low light.

What are the shortcomings of the Canon G7 X Mark II? It doesn’t shoot 4K video, nor does it have an electronic viewfinder (all shooting is done via the rear LCD). For comparison, the RX100 III has a pop-up viewfinder and is roughly the same price. The Panasonic LX10 also lacks a viewfinder but makes up for it with 4K video and a faster lens. On paper, the G7 X Mark II is fairly expensive, but people love Canon functionality and the G series has been a hit.   
See the Canon G7 X Mark II


4. Fujifilm X100F ($1,264)

Fujifilm X100T point-and-shoot cameraCategory: Enthusiast
Zoom: None (35mm prime lens)
Sensor size: 368 sq. mm
Megapixels: 24.3
What we like: A superb point-and-shoot for travel.
What we don’t: Fixed lens and high price.

We really liked the old X100T, but the new X100F is even more impressive. For 2017, this is Fujifilm’s premier point-and-shoot and a great option for travel and street photography. Essentially, the X100T packs the guts of Fujifilm’s mirrorless cameras but with the size and simplicity of a compact. Most impressive is the extra-large APS-C image sensor, which is more than three times as big as the Sony RX100 series and high-end Canon point-and-shoots like the G7 X Mark II. Compared to its predecessor, the X100F got a nice bump in megapixels (24.3 vs. 16.2), improved autofocus, faster continuous shooting, and better battery life, among other features.

The biggest downside of the Fujifilm X100F, and the reason it remains less popular than the cameras above with smaller sensors, is the fixed lens. With a 35mm focal length equivalent and a fast f/2 maximum aperture, image quality is excellent but you just don’t get the versatility of a zoom lens. Professionals and enthusiasts love the camera and the photos can rival a mirrorless camera or DSLR at less than a pound all-in, but you better like that 35mm focal length. And one more consideration: the X100F does not shoot 4K video, making cameras like the LX10 and RX100 V preferred options for videographers.
See the Fujifilm X100F


5. Canon G9 X Mark II ($449)

Canon G9X Mark II cameraCategory: Mid-range
Zoom: 28-84mm
Sensor size: 116 sq. mm
Megapixels: 20.2
What we like: The same sensor as the pricier G7 X Mark II above.
What we don’t: No electronic viewfinder.

Yes, Canon makes more expensive point-and-shoots like the G7 X Mark II above, but the G9 X Mark II is a better value. You do have to cut back on features—the G9 X Mark II lacks an electronic viewfinder, has a fixed rear LCD, and a slightly smaller zoom range. But most importantly, the G9 X Mark II has the same large 1” image sensor and packs a punch in terms of image quality. If you don’t mind lining up your shots via the LCD screen, this is an awesome compact camera for travel, everyday use, and even the outdoors (it only weighs 7.3 ounces).

For 2017, Canon released the Mark II version of the camera, with the original G9 X selling for about $50 less at time of publication. The cameras share the same 28-84mm f/2-4.9 lens, which is much faster than the Panasonic ZS70 below. Upgrades include a newer image processor, Bluetooth connectivity, and a slightly lower weight (the older version is approximately 7.4 ounces). The changes aren’t groundbreaking, but we think probably worth the extra cost. But for those looking to save, the G9 X still is readily available.   
See the Canon G9 X Mark II


6. Sony RX100 V ($998)

Sony RX100 V point-and-shoot cameraCategory: Enthusiast
Zoom: 24-70mm
Sensor size: 116 sq. mm
Megapixels: 20.1
What we like: The whole package in a point-and-shoot. 
What we don’t: For the price, you can buy the mirrorless Sony a6000 with two lenses.

At the end of last year Sony released the RX100 V, the latest in this line of highly successful advanced compacts. The two most significant additions are an impressive 315-point phase detection autofocus (all previous RX100 models are contrast detection) and faster shooting with a speedy 24 fps burst rate. Combined with 4K video functionality and an electronic viewfinder, this camera is all that many enthusiasts and professionals need.

The biggest complaint with the RX100 V is battery life, which has fallen more than 20% from the previous version. In our rankings we also factor in the cost of this camera, which for example, is more than the mirrorless Sony a6000 with two kit lenses (in almost all cases we could favor the latter). And the final nail in the coffin of ranking the RX100 V here and not higher: Panasonic owns the video department and the new LX10 has a faster lens, is cheaper, and also shoots 4K.  The Sony RX100 V is a great camera, but it’s quite expensive in an increasingly competitive field. 
See the Sony RX100 V


7. Panasonic Lumix FZ1000 ($798)

Panasonic Lumix FZ1000 cameraCategory: Enthusiast
Zoom: 25-400mm
Sensor size: 116 sq. mm
Megapixels: 20.1
What we like: Tons of zoom and a 1” sensor.  
What we don’t: Very heavy for a point-and-shoot.  

If the size of your point-and-shoot isn’t a primary concern, give the FZ1000 from Panasonic a serious look. With this camera you get a large 1” image sensor along with an extraordinary amount of zoom at 25-400mm (this specialized category of point-and-shoot has earned the moniker “superzoom”). Other point-and-shoots below like the Canon SX720 HS offer even more zoom in smaller packages, but those models have also considerably smaller sensors and can’t compete with the optical quality of the FZ1000. And the cherry on top: the FZ1000 is one of the only cameras on this list that shoots 4K video.

The obvious concerns with a superzoom like the Panasonic FZ1000 are size and weight. This point-and-shoot is literally the size of a small DSLR, weighing in at a hefty 29.3 ounces. You certainly won’t be sliding the FZ1000 into your pocket, but the versatility and convenience are attractive for travel and for those who don’t want to carry and switch out multiple lenses. To be sure, it’s a viable alternative to an entry-level DSLR, albeit with a smaller sensor. 
See the Panasonic Lumix FZ1000


8. Sony RX10 III ($1,398)

Sony RX10 III superzoom cameraCategory: Enthusiast
Zoom: 24-600mm
Sensor size: 116 sq. mm
Megapixels: 20.1
What we like: High quality stills and videos across its zoom range.
What we don’t: Too pricey and heavy for our tastes.

Many cameras in this category entice you with huge zoom capabilities but leave too little under the hood for serious photographers. The Sony RX10 III, along with the Panasonic Lumix FZ1000, are exceptions to the rule. This camera features Sony’s large 1” sensor found in many of its RX100 series models, but brings to the table a huge 24-600mm zoom range. And unlike cheaper superzooms, the Zeiss lens on the RX10 III is the real deal at f/2.4-4. All in all, this camera is versatile, sharp, and produces great stills and videos in a variety of situations.

We have the Sony RX10 III ranked here because of its cost and weight. For nearly $1,400, the Panasonic FZ1000 above is around half the price, or you could put together a very respectable DSLR and telephoto lens combo in the same ballpark. And with the RX10 III tipping the scales at over 2 pounds 6 ounces, an interchangeable-lens setup likely would be in the same weight class. But the RX10 III wins out in versatility and ease of use, which is why it remains so popular. One exciting piece of news: the new RX10 IV hits retailers in October and boasts phase detection autofocus.
See the Sony RX10 III


9. Ricoh GR II ($630)

Ricoh GR II cameraCategory: Enthusiast
Zoom: None (28mm prime lens)
Sensor size: 368 sq. mm
Megapixels: 16.2
What we like: DSLR-like image sensor.
What we don’t: No zoom isn’t for everyone.

The Ricoh GR II doesn’t represent a major update from the original GR, but it’s still one of our favorite pro point-and-shoots. Its most notable feature is the huge APS-C image sensor—the same size as many digital SLRs—in a compact body that weighs less than 8 ounces. You also get built-in Wi-Fi and other minor improvements like faster shutter speed and buffering. Keep in mind that the GR II has a fixed focal length lens equivalent to 28mm on a 35mm camera, which is great for travel and outdoor photography but isn’t for everyone. If you want professional-grade image quality in a tiny package, the Ricoh GR II is better at 28mm than any other model on this list. If you want the versatility of a zoom lens from your point-and-shoot in the same price range, the cameras above are better bets. 
See the Ricoh GR II


10. Canon PowerShot SX720 HS ($344)

Canon PowerShot SX720 HS

Category: Mid-range
Zoom: 24-960mm
Sensor size: 28 sq. mm
Megapixels: 16.1
What we like: Huge zoom for such a small and lightweight camera.
What we don’t: Small image sensor.

The Canon SX720 HS is the quintessential all-rounder in its price range. This sleek camera is lightweight, pocketable, offers big time zoom at 24-960mm, shoots respectable Full HD 1080p video, and has built-in Wi-Fi for transferring images on the fly. And at just over $300, it makes a really nice compact travel camera and higher-quality alternative to your phone.

If you don’t need the zoom capability of this camera, we would at least consider spending up for the Sony RX100 above. The image sensor on the SX720 HS is considerably smaller than the RX100, and the lens and low light performance are inferior as well. For a cheaper option from Canon, the older generation SX710 HS has less reach at 25-750mm but the same megapixel count and similar image quality overall. And the new SX730 HS offers improved resolution at 20 megapixels but is more expensive and has the same zoom range.
See the Canon SX720 HS


11. Panasonic Lumix ZS70 ($448)

Panasonic ZS70 point-and-shoot cameraCategory: Mid-range
Zoom: 24-720mm
Sensor size: 28 sq. mm
Megapixels: 20.3
What we like: A feature-packed camera with a sleek design.
What we don’t: Smaller sensor and slower lens than the LX10 above.

If you like the looks of the Panasonic LX10 above but want more zoom, the ZS70 is a nice mid-range option. This point-and-shoot offers an impressive list of features for a camera in the sub-$500 price range, including 4K video, an electronic viewfinder, and a super versatile 24-720mm Leica lens. We also love the design and feel of the ZS70, which is sleek and functional while weighing just over 11 ounces. Panasonic point-and-shoots have been growing in popularity of late and travel zooms like the ZS70 are big parts of that equation.

The reasons that we would hesitate to spend for this camera are the image sensor and aperture of the lens. With a relatively teeny 1/2.3" sensor, the Panasonic ZS70 just can’t compete with the heavy hitters in terms of overall image quality. And one of the things we love most about the LX10 is its blazing fast f/1.4-2.8 lens, while the ZS70 clocks at a much slower f/3.3-6.4. The bells and whistles certainly are there with this camera and it’s a lot of fun to use, just don’t expect premium image quality or low light performance.
See the Panasonic Lumix ZS70


12. Olympus TG-5 ($449)

Olympus TG-5 point-and-shoot cameraCategory: Waterproof
Zoom: 25-100mm
Sensor size: 28 sq. mm
Megapixels: 12
What we like: The only waterproof point-and-shoot to make this list.
What we don’t: The casing is nice, but optical perspective lags behind.

For most outdoor activities, we hesitate to recommend “tough” or “rugged” cameras unless you really need the extra protection. You pay a lot for a small image sensor and meager components, with a big chunk of the money going to the waterproof housing that protects it all. Having said that, the new Olympus TG-5 is a fun camera and the best in its class: it’s waterproof down to 50 feet, dustproof, freezeproof, and has a respectable maximum aperture of f/2 for low light and underwater photos. We also like the 25-100mm zoom range, which goes wider than other tough cameras from brands like Canon and Nikon that are 28mm at the wide end.

Keep in mind that the small sensor and marginal optics on this camera limit the quality of the photos and videos it produces, and particularly for $450. The TG-5 was released in 2017 but with few notable upgrades (and one notable downgrade to 12 megapixels from 16 on the TG-4). The new version does have improved toughness, better fog prevention on the lens, and a cool “Microscopic” mode for underwater photography. But we’re still waiting for a bigger jump in the waterproof market—a more serious underwater camera like the SeaLife DC2000 has a larger 1” sensor but is lacking in user experience and features. 
See the Olympus TG-5


13. Canon PowerShot SX530 HS ($279)

Canon PowerShot SX530 HS superzoom cameraCategory: Entry level
Zoom: 24-1200mm
Sensor size: 28 sq. mm
Megapixels: 16
What we like: Big-time zoom and a great value.
What we don’t: Bulky and has a small image sensor. 

If you’re looking for huge zoom at a reasonable price point, check out the popular Canon SX530 HS. For just over $250, you get a massive 24-1200mm of range along with image stabilization and Canon’s signature easy-to-use functionality. This superzoom camera is large and definitely will not slide into your pocket, but for travel, sports, and everyday use, it packs a whole lot of punch for the price.

Why is the SX530 HS not higher on our list? The small image sensor is limiting for those who plan on making prints or shooting in tough conditions. The truth is that you have to a pay a whole lot more for a superzoom with a large sensor (see the Panasonic FZ1000 and Sony RX10 III above). But for those looking a budget DSLR alternative with a ton of zoom and good features, we like the SX530 HS. 
See the Canon SX530 HS


14. Nikon Coolpix B500 ($257)

Nikon Coolpix B500 cameraCategory: Entry level
Zoom: 22.5-900mm
Sensor size: 28 sq. mm
Megapixels: 16
What we like: Goes slightly wider than the SX530 HS above at 22.5mm.
What we don’t: Autofocus and Wi-Fi connectivity issues.

Nikon hasn’t exactly been dominating the point-and-shoot market over the last few years, with brands like Sony, Panasonic, and Canon taking the reins. But we do like the Coolpix B500, a superzoom competitor to the popular Canon SX530 HS above. Both cameras are similarly priced and offer a ton of versatility with big zoom ranges. At the same time, both have small image sensors, few manual controls, and use 4 AA batteries, which adds to the cost over time unless you go rechargeable (and even that set-up costs something).

Why do we have the Canon SX530 HS ranked higher than the Nikon B500? We like the extra zoom (it goes longer at 1200mm), plus it weighs a few ounces less. More, some users have reported that the B500 has trouble connecting to Wi-Fi, and like most budget superzooms, autofocus has a tendency to hunt. One upside of the Nikon B500 is that it goes slightly wider at 22.5mm vs. 24mm on the SX530 HS. This may not seem like much of a difference, but for landscape photography and the outdoors, we’ll take anything extra we can get.
See the Nikon Coolpix B500


15. Canon PowerShot SX410 IS ($224)

Canon PowerShot SX410 HS cameraCategory: Entry level
Zoom: 24-960mm
Sensor Size: 28 sq. mm
Megapixels: 20
What we like: Massive zoom for just over $200.
What we don’t: Low light performance and autofocus could be improved.

We love saving with older generation models, and the Canon PowerShot SX410HS (and Sony W800 below) allows us to do just that. This entry-level superzoom gives you a very impressive 40x optical zoom equivalent to a whopping 24-960mm. For travel, sports, and wildlife photography, it’s a fun and versatile camera at a very reasonable price point.

What are the downsides of the SX410 IS? Unlike the more expensive Canon SX530 HS above, it does not shoot 1080p video (you’ll have to settle for 720p instead). And both the low light performance and autofocus are inferior. Some people may end up being disappointed with the image quality, but for those who shoot in normal lighting conditions, the SX410 IS a nice value.
See the Canon PowerShot SX410 IS


16. Sony DSC-W800 ($90)

Sony Cyber-Shot W800 cameraCategory: Entry level
Zoom: 28-130mm
Sensor size: 28 sq. mm
Megapixels: 20.1
What we like: Bargain basement price and small size.
What we don’t: Image quality will leave many people wanting more.

At this low of a price point, you shouldn’t expect wonders from your point-and-shoot camera, but that doesn’t mean it’s not worth buying. The DSC-W800 from Sony comes in a featherweight 4.7 ounces yet packs 20.1 megapixels of resolution and a 28-130mm zoom lens. This camera is significantly smaller than a smartphone and takes better photos, although it’s debatable whether the jump is worth having two separate devices. We like the concept of having the W800 on trips where you may not want to bring a phone or want something smaller—this camera will easily slide into a pocket and you’ll barely know it’s there. Some users have complained about occasional blurriness and a general lack of sharpness, but you can’t beat the size or price. 
See the Sony DSC-W800


Point-and-Shoot Comparison Table

Camera Price Category Sensor MP Zoom Aperture Weight 4K
Sony RX100 $448 Mid-range 116 sq. mm 20.2 28-100mm f/1.8-4.9 8.5 oz. No
Panasonic LX10 $698 Enthusiast 116 sq. mm 20 24-72mm f/1.4-2.8 10.9 oz. Yes
Canon G7 X Mark II $679 Enthusiast 116 sq. mm 20.1 24-100mm f/1.8-2.8 11.3 oz. No
Fujifilm X100F $1,264 Enthusiast 368 sq. mm 24.3 35mm f/2 16 oz. No
Canon G9X Mark II $449 Mid-range 116 sq. mm 20.2 28-84mm f/2-4.9 7.3 oz. No
Sony RX100 V $998 Enthusiast 116 sq. mm 20 24-70mm f/1.8-2.8 10.6 oz. Yes
Panasonic FZ1000 $798 Enthusiast 116 sq. mm 20.1 25-400mm f/2.8-4 28.7 oz. Yes
Sony RX10 III $1,398 Enthusiast 116 sq. mm 20.1 24-600mm f/2.4-4 38.6 oz. Yes
Ricoh GR II $630 Enthusiast 368 sq. mm 16.2 28mm f/2.8 8.6 oz. No
Canon SX720 HS $344 Mid-range 28 sq. mm 20.3 24-960mm f/3.3-6.9 9.5 oz. No
Panasonic ZS70 $448 Mid-range 28 sq. mm 20.3 24-720mm f/3.3-6.4 11.4 oz. Yes
Olympus TG-5 $449 Waterproof 28 sq. mm 12 25-100mm f/2-4.9 8.8 oz. No
Canon SX530 HS $279 Entry level 28 sq. mm 16 24-1200mm f/3.4-6.5 15.6 oz. No
Nikon Coolpix B500 $257 Entry level 28 sq. mm 16 22.5-900mm f/3-6.5 19.1 oz. No
Canon SX410 IS $224 Entry level 28 sq. mm 20 24-960mm f/3.5-6.3 11.5 oz. No
Sony DSC-W800 $90 Entry level 28 sq. mm 20 28-130mm f/3.2-6.4 4.7 oz. No


Buying Advice

Point-and-Shoot Camera Categories

Enthusiast (Professional)
Given the rise of camera phones and their continually improving quality, in 2017 most camera manufacturers are focusing their energy on enthusiast or professional point-and-shoots. Many of these cameras have large 1” image sensors, fast lenses, and a number of handy features like tilting LCD screens and 4K video. Much of the top half of this list consists of enthusiast models, led by the Sony RX100Sony RX100 Brussels photo

Mid-range point-and-shoots usually are big on features but sacrifice in the size of the image sensor (many are a relatively small 2/3"). If you don’t plan on enlarging your photos or want features like big zoom at a reasonable price point, mid-range cameras are a nice compromise of price and performance.  

Entry Level
To be sure, this end of the point-and-shoot spectrum is retreating. We can remember when almost everyone on vacation carried a cheap point-and-shoot (ourselves included), but the rise of the camera phone makes it impractical to carry two devices that do similar things. The latest iPhone7+, for example, has pretty darn impressive cameras (plural) and a Portrait Mode that rivals or outperforms an entry-level point-and-shoot. And even if a designated camera is slightly better on paper, the convenience of a smartphone wins out. For these reasons, we generally recommend going with an enthusiast or mid-range model. The exceptions, of course, are if you don’t own a phone with a camera or don’t want to carry it with you while doing activities like backpacking or skiing. 


Point-and-shoot cameras have an attached lens, as opposed to interchangeable lenses found on DSLRs or mirrorless cameras, and many models have a fairly versatile zoom. For example, the Sony RX100 V has a zoom range of 24-70mm, but the the Canon PowerShot SX720 HS offers a very impressive 24-960mm, albeit at the sacrifice of other features.

A popular trend in 2017 is superzoom cameras, which have an extremely long zoom range up to 1000mm or more. Smartphones are notoriously poor at zooming and this is one way that camera manufacturers can continue to drum up interest. Superzooms are really cool cameras—we love the Canon PowerShot SX530 HS, for example, which has 24-1200mm of optical zoom and costs under $300. Superzooms have two main issues, however. They are considerably heavier and bulkier than normal point-and-shoots (closer to a DSLR than a point-and-shoot, in fact), and the image sensors on superzooms usually are small, often 1/2.3". But for travel, sporting events, school plays, or wildlife photos, these are very fun cameras to use. Panasonic FZ1000 zoom photo

Before making a purchase, we recommend thinking through which types of photos you will be taking most. Generally, wide-angle photos are taken from 18 to 24mm, street photography at 24 to 35mm, portraits from 50 to 100mm, and telephoto shots from 100mm and up. Only get a superzoom if you plan on using that end of the zoom range frequently.

Image Sensor

Marketers push megapixels as the central factor in determining the image quality your camera produces, but in reality it’s the size of the sensor. A common analogy in photography is that megapixels are like buckets used to collect rain (rain being light and color). The larger the buckets, the more rain they will collect. Accordingly, 20 megapixels on a small sensor (small buckets) are much less effective at capturing light than 20 megapixels are a large image sensor (large buckets). Below are common sensor sizes found on point-and-shoot cameras:

  • 1/2.3"  (6.17 x. 4.55mm = 28 sq. mm)
  • 1/1.7" (7.60 x 5.70mm = 41 sq. mm) 
  • 1" (13.2 x 8.8mm 116 sq. mm.)
  • APS-C (23.6 x 15.6mm = 368 sq. mm)

Almost all entry-level and some mid-range point-and-shoots have 1/2.3” CMOS image sensors. The higher the price the more likely you are to get a larger sensor—most high-end point-and-shoots either have 1” or 1/1.7” CMOS sensor. Some professional compact cameras have APS-C image sensors but those are a rarity (the Ricoh GR II and Fujifilm X100F have the largest on this list).Ricoh GR camera


A pixel is one dot of information, and digital photographs are made up of millions of these dots. To make the calculations more palpable, we use the term megapixels (mega = million). So if a camera has 18 megapixels, the photographs are comprised of 18 million tiny dots.

As described above in relation to the image sensor, the number of megapixels can be misleading. If Camera X has 24 megapixels and Camera Y has 12 megapixels, this does not necessarily mean that Camera X produces higher quality images. If Camera Y has a larger sensor, higher ISO sensitivity, and a superior lens, you can expect better photos from fewer megapixels.You shouldn’t totally ignore megapixels either. An astute camera buyer should look at sensor size first, then the number of megapixels, and try to gauge how those two numbers stack up against the competition (we’ve tried to make things easier with our handy comparison table above). Generally, the more you pay for a camera the larger the sensor and higher the number of megapixels.

Low Light Performance

A major point of differentiation between budget and high-end point-and-shoots is the low light performance of the lens and camera. In terms of the lens, the important number to look at is maximum aperture, expressed in f-stops ranging from f/1.4 to f/22 or higher. The lower the number, the wider the lens can open and the more light enters the camera. At the low end of the spectrum is a camera like the Panasonic Lumix LX10 with a maximum aperture of f/1.4 and the Sony RX100 series with maximum apertures of f/1.8. Most mid-range and budget point-and-shoots have maximum apertures from around f/2 to f/3.5. You’ll notice that maximum aperture is expressed in two numbers covering both the wide and telephoto end (f/1.8-4.9, for example). Sony RX100 III sunset photo

In terms of the low light performance of the camera itself, the number to look for is ISO sensitivity (commonly referred to simply as ISO). The higher the ISO, the more sensitive a camera is to light and the less likely you are to get noise (graininess you often see on photos taken by cheap cameras or your smartphone). A camera like the popular Canon ELPH I70 IS isn’t particularly good in low light with an ISO sensitivity of 100-1600, while the Sony RX100 V has a much more impressive range of 125-12800. Taken together with the maximum aperture of the lens, these factors are what determine the low light performance of your point-and-shoot. 


Like zoom, video is an increasingly sought-after camera feature. Full HD 1080p (1920 x 1080 pixels) is standard in 2017, even on point-and-shoots. Some budget models only shoot 720p (1280 x 720 pixels) but they are increasingly scarce. At the top end of the spectrum, some professional compacts are now offering 4K video (4096 x 3072 pixels) like the Sony RX100 V and Panasonic LX10.

In terms of overall video quality, there is more to evaluate than just the resolution. The quality of the autofocus, ISO sensitivity, size of image sensor, and other features like image stabilization all play a role in the video your point-and-shoot produces. Dedicated videographers also like to experiment with different movie speeds, with the most common being 60 fps, 30 fps, and 24 fps. Pricier point-and-shoots usually offer more video speeds to choose from.

A final feature you’ll often see referenced is a “dedicated movie button.” This means that instead of having to navigate through the menu via the buttons or touchscreen, one button (usually red) on the outside of the camera will have you shooting video almost instantaneously. Again, point-and-shoot manufacturers have to compete with smartphones, and the dedicated movie button is another way that they do so.

Wi-Fi and NFC

The method of plugging in your camera to a USB port on a desktop or laptop and uploading photos manually is becoming increasingly unnecessary. Built-in Wi-Fi is a nice perk on many new point-and-shoot cameras, allowing you to transfer and upload photos and video to your device or social media platform directly from the camera. Some even offer light editing directly on camera. The software and Wi-Fi platforms vary by manufacturer, and some are easier to use and less buggy than others, but we like the option of using Wi-Fi when it’s convenient.

LCD Screen

The rear LCD screen is another point of differentiation between point-and-shoots. Most screens are LCD and around 3 inches in size, with the resolution varying significantly across price points. Higher resolution and brighter screens come in handy when the conditions are tough and you are trying to line up a shot. On some high-end models you get a tilting LCD for difficult angles and even touchscreen functionality that can be easier to navigate than with buttons. The LCD screen isn’t a make-or-break feature for us, but they do get nicer as you spend more and the difference is noticeable. LCD screen on point-and-shoot

Electronic and Optical Viewfinders

Some advanced point-and-shoots have either an electronic or optical viewfinder. This desirable feature means that instead of lining up photos via the rear LCD screen, you can look through the viewfinder located at the top of the camera. For professionals and enthusiasts who demand accuracy and produce a high volume of photos, a viewfinder almost is a necessity. Again, electronic viewfinders are rare on point-and-shoots and usually the territory of digital SLRs and some mirrorless cameras, but on new high-end models like Sony RX100 V, having an electronic viewfinder undoubtedly is advantageous.

Our Take on Rugged Cameras

There are a number of “rugged” digital cameras on the market, with our favorite being the Olympus TG-5. These cameras are essentially entry-level point-and-shoots with an exterior casing that makes them waterproof, dustproof, and shockproof (the specificities such as waterproof depth depend on the model).

First and foremost, no camera is actually waterproof—you can see by combing through various reviews on sites like Amazon that rugged cameras can spring the occasional leak. More, you pay quite a premium for the extra protection, often getting a camera that is relatively basic in terms of image quality. The Olympus TG-5 currently retails for a pricey $449, despite having entry-level specs—you can get an excellent mid-range point-and-shoot that isn’t weather resistant for around that price. Olympus TG-4 underwater photo

Rugged cameras make the most sense for activities with serious exposure to the elements like snorkeling, rafting, surfing, climbing, skiing, and snowboarding in inclement weather. They work well for beach vacations too—sand is one of the biggest enemies of any camera or lens and the extra sealing helps to prevent tiny pebbles from entering your electronics. For normal travel and outdoor use, we recommend buying a regular camera that is optically superior and taking reasonable care to store it. Even a normal case inside a Ziploc bag will protect your camera in most conditions.  

What About a Memory Card?

The good news for consumers is that memory cards continue to get faster and cheaper. Just a couple of years ago, Class 10 cards, which have a minimum write speed of 10 MB per second, were expensive and there was an actual decision to make between those and slower Class 4 cards. By 2017, the price of Class 10 cards has dropped to the same range as Class 4 cards and it’s a no-brainer (Class 4 cards soon will be extinct).

Our favorite SD memory card for point-and-shoots is the SanDisk Extreme, which offers fast write and read speeds (up to 40 MB/s write and 60 MB/s read). You also get protection from the elements: the SanDisk Extreme is rated as waterproof, shockproof, X-ray proof, and can operate in temperatures from -13 to 185 degrees Fahrenheit. We like the extra peace of mind, but if you don’t care about the durability of your card, the SanDisk Ultra is slightly cheaper.

In terms of storage, 16GB is a good size that won’t have you consistently running to your computer to upload and delete photos. If you frequently shoot high resolution video or won’t have access to uploading or another card, 32GB or 64GB cards are available and offer even more bang for your buck.
Back to Our Top Point-and-Shoot Picks   Back to Our Point-and-Shoot Comparison Table

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